Ghosts, Gays, and Guillotines: Giovanni’s Room as a Baldwinian Gothic

The following article was the recipient of the Leanna Boysko prize, awarded to the best upperclassman essay of literary criticism at WashU. It was first peer reviewed and published in the Washington University Journal of Undergraduate Research.

Next
Next

Reinventing the wheel: Mike McHaney juggles more than campus fame